“They were sharing ideas and tips with people who hadn’t used (the technology before), going back and forth with certain tools and apps and different things,” Ridgway said. “I knew some were more comfortable doing videos than others, so I didn’t want to put too much pressure on anyone to do a live event. Some of the artists made slideshows that showed off their process. Others, like Tamara, Kathy and Shirley, created wonderful videos of their studios — all three of them live in beautiful surroundings. They tried to show their personalities and bring the visitors into what they were doing.”
“Everyone I have contact with — which isn’t many these days — told me they loved my video and were really impressed with the outcome,” Bishop added. “I’ve never done anything like that before, so with the help of Toni McCarthy, I found the right app, and through trial and tribulation figured it out. I was able to add music and titles, too. I was pretty excited. I’m glad we had a deadline to finish, or I could have made it over and over and over again and never thought it was ‘perfect.’ But I was happy with the outcome.”
The pandemic has had a “devastating” impact on the United States’ arts sector, according to Americans for the Arts, a Washington, D.C.-based nonprofit organization. Since the beginning of the COVID-19 outbreak, 62 percent of artists and “creatives” have become fully unemployed and suffered an average financial loss of $24,000, according to a nationwide survey conducted by Americans for the Arts.
Those losses have been felt on the local level, according to Bishop.
“I know some of the artists involved in the Washougal Studio Artists group rely fully on income from sales of their art,” Bishop said. “I’m sure (the pandemic has) had an impact on them, forcing them to realign their priorities and reorganize into using different types of media and sources for selling. I’m fortunate and unfortunate at the same time to not have to rely on it.”
“By not being able to share our art face-to-face, we’re not getting that personal connection,” Ridgway added. “A lot of my art can be very personal, and I know that when I talk to people about my artwork, those conversations can make the difference in them liking a piece or connecting with a piece.”